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Painting

3.3.1.3.3.1. Painting © 2003-2026 hegel.net · Kai Froeb 3.3.1.3.3.1. Painting 3.3.1.3.3.1.1. General character of painting 3.3.1.3.3.1.2. Particular determination of paintings 3.3.1.3.3.1.3. Historical development of painting One level back to Romantic Arts One level further to General character of painting One level further to Particular determination of paintings One level further to Historical development of painting
3.3.1.3.3.1. Painting © 2003-2026 hegel.net · Kai Froeb 3.3.1.3.3.1. Painting One level back to Romantic Arts One level further to General character of painting One level further to Particular determination of paintings One level further to Historical development of painting 3.3.1.3.3.1.1. General character of painting General content of the painting 3.3.1.3.3.1.1.1. Sensuous material of painting 3.3.1.3.3.1.1.2. Artistic treatment 3.3.1.3.3.1.1.3. One level back to General character of painting One level further to General content of the painting One level further to Sensuous material of painting One level further to Artistic treatment 3.3.1.3.3.1.2. Particular determination of paintings Romantic content of paintings 3.3.1.3.3.1.2.1. Closer determinations of the sensuous material 3.3.1.3.3.1.2.2. Artistic execution 3.3.1.3.3.1.2.3. One level back to Particular determination of paintings One level further to Romantic content of paintings One level further to Closer determinations of the sensuous material One level further to Artistic execution 3.3.1.3.3.1.3. Historical development of painting Byzantine painting 3.3.1.3.3.1.3.1. Italian painting (catholic) 3.3.1.3.3.1.3.2. Dutch and German (protestant) painting 3.3.1.3.3.1.3.3. One level back to Historical development of painting One level further to Byzantine painting One level further to Italian painting (catholic) One level further to Dutch and German (protestant) painting
3.3.1.3.3.1. Painting © 2003-2026 hegel.net · Kai Froeb 3.3.1.3.3.1. Painting One level back to Romantic Arts One level further to General character of painting One level further to Particular determination of paintings One level further to Historical development of painting 3.3.1.3.3.1.1. General character of painting One level back to General character of painting One level further to General content of the painting One level further to Sensuous material of painting One level further to Artistic treatment 3.3.1.3.3.1.1.1. General content of the painting Religious content no longer predominant 3.3.1.3.3.1.1.1.1. Total width of the extension 3.3.1.3.3.1.1.1.2. Mind (as content of the painting) 3.3.1.3.3.1.1.1.3. One level back to General content of the painting One level further to Religious content no longer predominant One level further to Total width of the extension One level further to Mind (as content of the painting) 3.3.1.3.3.1.1.2. Sensuous material of painting Reduction of the three dimensions to the surface in painting 3.3.1.3.3.1.1.2.1. Physical element 3.3.1.3.3.1.1.2.2. Totality of the appearance 3.3.1.3.3.1.1.2.3. One level back to Sensuous material of painting One level further to Reduction of the three dimensions to the surface in painting One level further to Physical element One level further to Totality of the appearance 3.3.1.3.3.1.1.3. Artistic treatment Substantial in the form of inner subjectivity 3.3.1.3.3.1.1.3.1. External appearance of the particular 3.3.1.3.3.1.1.3.2. Spirit of epochs and individuals 3.3.1.3.3.1.1.3.3. One level back to Artistic treatment One level further to Substantial in the form of inner subjectivity One level further to External appearance of the particular One level further to Spirit of epochs and individuals 3.3.1.3.3.1.2. Particular determination of paintings One level back to Particular determination of paintings One level further to Romantic content of paintings One level further to Closer determinations of the sensuous material One level further to Artistic execution 3.3.1.3.3.1.2.1. Romantic content of paintings Reconciliation in Christianity 3.3.1.3.3.1.2.1.1. Landscape nature 3.3.1.3.3.1.2.1.2. Contingent and lowly subject matter 3.3.1.3.3.1.2.1.3. One level back to Romantic content of paintings One level further to Reconciliation in Christianity One level further to Landscape nature One level further to Contingent and lowly subject matter 3.3.1.3.3.1.2.2. Closer determinations of the sensuous material Linear perspective 3.3.1.3.3.1.2.2.1. Plastic drawing 3.3.1.3.3.1.2.2.2. Colouring of the painting 3.3.1.3.3.1.2.2.3. One level back to Closer determinations of the sensuous material One level further to Linear perspective One level further to Plastic drawing One level further to Colouring of the painting 3.3.1.3.3.1.2.3. Artistic execution Conception of the painting 3.3.1.3.3.1.2.3.1. Composition of the painting 3.3.1.3.3.1.2.3.2. Characterization 3.3.1.3.3.1.2.3.3. One level back to Artistic execution One level further to Conception of the painting One level further to Composition of the painting One level further to Characterization 3.3.1.3.3.1.3. Historical development of painting One level back to Historical development of painting One level further to Byzantine painting One level further to Italian painting (catholic) One level further to Dutch and German (protestant) painting 3.3.1.3.3.1.3.1. Byzantine painting One level back to Byzantine painting 3.3.1.3.3.1.3.2. Italian painting (catholic) Religious loftiness (Duccio, Cimabue etc.) 3.3.1.3.3.1.3.2.1. Human and real (Giotto, Angelico and others) 3.3.1.3.3.1.3.2.2. Real and religious (Raphael, Titian and others) 3.3.1.3.3.1.3.2.3. One level back to Italian painting (catholic) One level further to Religious loftiness (Duccio, Cimabue etc.) One level further to Human and real (Giotto, Angelico and others) One level further to Real and religious (Raphael, Titian and others) 3.3.1.3.3.1.3.3. Dutch and German (protestant) painting Depth of heart (Gemüt) 3.3.1.3.3.1.3.3.1. Portrayal of the unsightly 3.3.1.3.3.1.3.3.2. The worldly and the daily 3.3.1.3.3.1.3.3.3. One level back to Dutch and German (protestant) painting One level further to Depth of heart (Gemüt) One level further to Portrayal of the unsightly One level further to The worldly and the daily

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